waaaaarning!! this is only for the real hard techno heads. lukas & lexis ripping it up cannibal style! consuming human flesh is the formula. no excuses, you have been warned!

following hot on the heels of the outstanding pimpsoul ep, bombstrikes once again maintain their scene leading formula. this time out its the turn of nick thayer to deliver the dancefloor goodies. in a style very much his own, nick raises the bar even higher with this incredibly strong three-track ep.
another superb addition to the bombstrikes collection.

quantec with his trademark dubby and dusty techno tracks. three tracks that sound like a foggy spring morning in the swamps with your feet in the stinky mudd and the light blue skies slowly bringing you another beautiful day.

the 2nd album to be unveiled from nation is called >creep acid< from jtc who has recorded with spectral, m>o>s, relief, creme presents this very special full length production.
he was driven by thoughts about the lifespan of many things. >creep acid< carries the resonance of future past.

rare 80s recording from the glorious mutant disco archives, reportedly recorded on earth and now freshly revamped by a secret detroit-cologne connection to sharp blasted musical encounters of the third kind. not as discoid as you might expect, this strictly limited (150 copies) mystical formula of mutant electronica and twisted technoid funk mixes up todays club floor reality with shock tactics and says fu** off! to any smash hit attitude that covers round the corner. the >twilite clone< is 100% pure catchy if derived electronic street funk that hits the roads for sure uncontrollably strange and highly danceable on the cutting edge of techno, house and dubstep.
support by ben klock, dj flush, adam weishaupt, estimulo, lester jones, claus bachor, migumatix, david langer, jeroen search, roland casper, blake baxter, buzz goree, derrick thompson, todd perinne, thomas barnett, chris baumann, tobias hewer, geo, jochen heib, markus worgull, murat tepeli and many others ...

rome, italy native fabio bacchini has been holding it down for underground house music with his label mind travel, but takes a step to the left to give us a hot little ep on transport. the roman disco ep is exactly what it says on the box: no fancy gimmicks here, this release is comprised of four solid disco house jams. the first tune >weekender< is a nice phase guitar loop jam with signature disco pulsating strings amidst the happy snapping snare beats and soul train vocal snips. next is my favorite cut, >money talks<, a straight up disco rhodes organ jam a la the crusaders. add some saxophone in there for points with ladies, and you have yourself a jam. on the flip we have >in the mood< is takes the mood a bit deeper with a nice n spacey groove amidst a rhythm heavy beat. throw some synth strings and keys riffs in there for good measure and there you have it... disco house. sometimes stays within the same formula but brings a more pulsating sound that pushes the music. the tune is still deep and groovy as the ep winds down...

just close your eyes and listen to these three lush compositions, while your imagination paints brilliant abstract visuals deep in the alleys of your mind. keeping consistent with the previous ten aesthetic audio releases, the formula for this new gem remains an uncompromising plethora of very raw substance, innovation, and timeless music that will clearly stand on it own amongst deep dance aficionados across the globe. deep roots: begins this journey with this intense and twisted deep banger that is simply a dancers dream. thumping drums and melodic string arrangements get things jumping as you are very quickly taken to your special place. the dark symphony: is a sinister and grimy yet gorgeous piece of work all at the same time. lush chords and dark electronic sculptures spark an imaginary sense of euphoria as the art of dance holds your body ransom. climates: captures the sheer art and raw essence of deep underground dance. this dark beauty continues to build until your body renders itself to the rhythm, and then ultimately it fades … leaving a beautiful memory on the canvass in your mind.

its been a while, but what can we say, you want the best? you got the best. but you gots to wait, you gots to be patient. so as winter seeps away and the frost melts we at duff disco are getting ready for these sidewalk, hot summer nights, radio bout to blow, small talk under the lights, feel the heat wild and sweet, duff disco returns with his peerless edit series clocking in at a number 5, yeah, a fist full of dollars, the five knuckle shuffle of releases. sticking to the slo and sexy formula >catch me out< and >you wish< are two sultry jams signalling that spring is approaching and all the ladies will begin removing the layers and making the days instantly seem brighter.

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

first official 2562 release in over a year, marking the launch of his new when in doubt label. two heartfelt low slung boogie anthems – a taster of things to come. limited to 300 copies for the world on blue vinyl in hand printed sleeves. no digital. no reappearance on future vinyl. 2562 aka dave huismans - from the hague/holland, in berlin/germany – is known for his releases on tectonic recordings as well as 3024 and usually gets classified somewhere in the wasteland between cutting-edge bass music, techno and house. when in doubt is his new imprint, aiming to release personal, formula-free music

sound-design from a far-away galaxy, functional and intelligent arrangements, tricky elements somewhere between handmade and cinema-scope and continuously surprising ideas - this is the music of an extraordinary talent: boris brejcha.
he is one of the most productive creative minds of this time segment and while constantly releasing a great amount of tracks, his music does not sound like the work of a mechanic following a certain formula. boris force roots from a unique style that has a focus on diversity and still you recognize his hand-writing while listening to his tricky arrangements and breaks that are different as they can be.

projections a.k.a. simon james and dan hastie have been getting busy in their la studio re-tweaking and redefining their future funk formula. the title track >southern girls< (a1) is a blinding distorted disco odyssey that comes off sounding like a righteous metro area remix of tom browns >funky for jamaica<! simon and dan keep the quality level at a premium on the b side selection >late nite< a slick, soul drenched electo boogie anthem that harks back to the classic 80s productions of artists like atlantic star or michael jackson circa >off the wall<. dynamic fender rhodes vibes, poppin percussion, and subsonic bass tones provide set the proper interplanetary funk agenda for new vocalists wades powerful falsetto soul stylings which are guaranteed to warm up any late night steppers set.

be prepared to be wowed, as crosstown rebels deliver a serious slice of hot new music from new talent russ yallop aka rusty james. >i cant wait< and >rock me< are two infectious cuts with massive appeal. combining the magnetism of disco with the raw energy of contemporary house music, russ yallop produces a fresh take on a trusted formula. a side >i cant wait< is unforgettable for its contagious bassline, flirtatious vocal cries, cosmological synths and perpetual breakdowns. with just as much appeal and even more originality, b side >rock me< leans on funk laden stabs chopped into sonic grooves and humming vocals, drawing towards a beautiful, driving climax that rocks like a mutha

finally label owner maurice aymard releases his debut ep in his own label. after releasing last year in einmusik label and sasses mood music imprint, moe how his friends call him has decided to show his art through galaktika. the ep has two strong remixes the first one comes from the brazilian s head quarters and old friend from the house called gui boratto. gui is a top five world techno producer, after remixing names like moby, massive attack and robin williams he finds times in his super busy schedule and delivers a massive tune. he changes the hole track, he stamps his sound on the remix and add and incredible rhodes to close up the track, and epic remix that will last for ever. garnica does completely the opposite as gui, he turns put some for jules in a techno tune for pick time hours, with groove and percussions as main course. garnica has find his formula to make great remixes and keep your head up cause will be more to come.

welcome back to the highly acclaimed loop hotel! after hotel1 hit the house-hospitality industry by storm, part 2 continues the good vibes with 2 tracks based on a special >make it up then break it down< formula

in the world of factory presets, default settings and copy-paste ethics, there are few artists that actually care to make a difference. and -who told you that?-, 29th release on warsaw recognition label, is certainly a voice to be heard. the title track is another subtle narrative from label boss jacek sienkiewicz. eerie chord and a solid, damp beat from the start are underpinned by sherds of dialogue - snippets of words and laughter keep coming back in the mix, providing some sort of uneasy commentary towards todays minimal house formula. but at some point the voices disappear - and then the tracks gently goes somewhere outside the boundaries of todays club music, somewhere otherworldly. this shift, albeit amazingly subtle, is a leap towards music free of any defined context, far beyond dancefloor and definitely original. if this sneak peak into the possible futures of manmachine induced visions is too much to handle, there is still the b-side of this release. two tracks here - both clocking around mere 5 minutes - are prime exercises in compact, clever, tight and efficient club tools. uplifting -cobalt drive- is bound to to be quoted and reworked into many forms of a late-night burner. patefon, on the other hand, is a peak-time stormer with its stuttering chords and moody samples, supposedly picked from some vintage shellac discs

supported by: reboot, sis, lauhaus, gregor tresher, marc romboy, matthias meyer, anthony collins, kabele & liebe ,.. debuting just in time to move summer dancefloors around the world, alex niggemann, superlounge and marc poppcke present their label: soulfooled - a new platform designed to welcome music enthusiasts, artists, dancers and performers to their own distinctive brand of house music. with a mission to mix club oriented production style, a passionately independent label identity, and the emotive deepness of house, it s no surprise that artists like till von sein, chopstick and david durango are already on board, as well as the gentlemen bringing you this first soulfooled release: audiofly and dualton.the double a side vinyl kicks off with backroom buziness by london/barcelona transplants audiofly.

the release, has two original songs and two additional remixes. plastidecor is orientated to the dance floor. tech house of quality with a groove ascending that make enjoy in the dance floor! the remix of hermanez is totally oriented to the dance floor,, has a strong bass and a base with lots of rhythm. the remix by mihai popoviciu has the same formula, rythm ascending, with a very strong bass for the dance floor. fraggle rythm, has a base deep house very percussive, melodies accompanied by a elegant bass. dance hall of the ewok, is a tech house very personal, with percussive sounds, voices, and bass groove, accompained by a deep synth

formula recs digital has the great pleasure of putting on the market, the last production from tenerifes jose armas, called travieso. high-quality tech-house sound with influences that predominate in central europe with powerfull groove.accompanied with remixes from more people of the canary islands, carlos sanchez & dj ray, newcomers who have left their mark on productions in the german label superfancy and javier carballo, a classic in the island of gran canaria, which will give plenty to talk about in his facet as a producer... the revolution is served!

strong peaktime monster incl remixes by mark broom and steve mac !! new international collaboration of the the factorias s mastermind with greatest wordlwide swedish duo. wally lopez and johan & john from zoo brazil have produced planetaria a powerful and dancefloor burner that combines an underground rhythm with electric melody. it is not enough , the remixes by steve mac, well-knowed for his releases at cr2, toolroom, big love, saved, smack, etc ..and mark broom remix, probably man of the moment, also known after the success of his remix of wally lopez wideband published at formula recs & jesus love you ....listen and enjoy this powerfull release!!

the black label is dedicated to bring forgotten gems out of the closet as well as to rework tunes near the inner core of the producers involved in the label. theres no formula but to touch base with the music we love, be it then inspired from 60 s motown, 70s disco, 80s boogie or 90s klf.

raidens label always comes with something different from the usual d&b formula rubbish. martsmans track is very impressive, with his refreshing future sound. on the other side its business as usual from raiden with help from khanage, its funky, and not as full on as normal, but again right at the cutting edge. martsman got into drum&bass around the end of the 90s. debuting on new york based offshore recordings in 2005, he released on smaller as well as established labels like alphacut records or counter intelligence in the following years. in 2008, tracks on warm communications and hospital records sub label med school attract the attention of a steadily growing audience also from outside the drum&bass scene.

supported by monika kruse, adam beyer, jakob hilden, dave seaman, laurent garnier, kiko, john digweed, nic fanciulli, barem, chris liebing, danny tenaglia. yes, the world can be a cocktail and kaiserdisco are surfing on a wave of success following their track espandrillo. espandrillo made it into the richie hawtin us bus tour 2009 chart and has been re-entering charts worldwide for numerous times since. we think that with amalfino kaiserdisco will be hitting the top 10 charts of many dj s again. amalfino is a strong driving percussive track that builds on child vocals, creating a bit of a fairy-light atmosphere within a massive production. bailetteo is a track that can be understood a bit as a continuation of amalfino working with similar vocals but has less of a peak time formula. with >carachillo< kaiserdisco have added a cool and deep, housy track with indian vocals and samples, which could be cool for the house community.

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

quantec with his trademark dubby and dusty techno tracks. three tracks that sound like a foggy spring morning in the swamps with your feet in the stinky mudd and the light blue skies slowly bringing you another beautiful day.

nice price deal !!! nice price deal !!! new on the scene and already recognized as the future in dance music, sour grapes unique style of creating beats make their productions stand out, with essentials from traditional house, contemporary techno and other styles of music, the trio somehow always manage to find the right formula that makes dance floors around the world explode.

remerge started in early 2007 and quietly set the precedent for the current old skool influenced recordings. initially, the concept was to re-interpret old rave records and rebuild the samples into modern day hardcore classics. over the last two years, the series has slowly come to it s logical conclusion with two original recordings, which retain the essence of æ92, but remain relevant to the sound of 09. amenyall is produced by dj wasp, a pseudonym for one of the most revered and consistent producers of electronic music over the last 16 years. expect the usual formula to be broken, crushed and recompiled into something truly unique. >wasp< described it as >the track i wanted to make 15 years ago< and we are really proud to be able to release it. >terror overdrive< by agt rave cru is on the flipside and is without question, one of the toughest, most manic records you re likely to hear all year. wild stabs, full juno hoover workouts, ruff breaks and one of the greatest intros to a track ever, this really is the real deal.

mental torments is on full speed and present already their 7th release and this one holds an absolute hit by the 3headzahead crew in the form of semper fi! dj bold, albert kraner and formula g make the ep complete with astonishing hard banging techno tunes!

for this 4th release, we bring you the best of the best & obviously the rarest 12 inches around! a side comes up with the great zig zag from dj chaka bud originally released in 1993 and for the first time available the legendary unreleased extended sax mix (more than 10min of pure house meets jazz madness), this track was done way before st germain & all the jazzy house thang, with today minimal producers like sis or others trying to get the win formula for an ibiza anthem by just sampling a sax, this is defintely the only one you really need to have. if you need a record to bang a party, this is the right one. a cornerstone for todays timeless djs, such as luciano or villalobos. on b1 & b2, we have the all time classic from phuture we are phuture & slam!, all about drums, acid & insane vocals from 1988!

this is techno in the spirit of the original detroit and european pioneers: machine funk that looks as much to parliament and james brown for inspiration as to richie hawtin, and which treats each track as a fresh experiment in dancefloor dynamics, not as reworking of an existing formula.

berlins tech house supremo, oliver koletzki lends his talents once again to the hell yeah stable with massive double a side single, >yes we can< & >nascita of the monsters<. both tracks feature olivers deep, infectious formula and never fail to stir up a frenzy from the caverns of fabric to the led lights of watergate in berlin. already a cult figurehead in his native berlin, oliver brings his brand of quality techno across borders, with an enviable list of live dates around europe and a slew of sought after releases on various labels like great stuff, trapez, stil vor talent, flash and hell yeah. after the critical acclaim of his last release on hell yeah, >music from the heart<, east berlins perennial bad boy teams up with roland clark of defected fame, who has worked with our very own fat boy slim and chemical brothers, for a unique emotive off-beat introductory track

benny rodrigues produces a package that lives up to its name. ‘i like’ ep oozes influences from detroit techno and masters a current take on an age-old sound. ‘i like’ is delicious, wrapped in vintage sounds, it creates a true party atmosphere. ‘reel’ is coproduced with fellow dutch musician kapuchon. this is the sound of old school flavours, tearing into the past and the present and creating a winning formula. benny rodrigues was born and raised in rotterdam, and held residencies at some of holland most influentual clubs from the age of 17. he has toured with his musical hero, the legendary josh wink, been asked twice to perform at the detroit electronic music festival and headlined and closed the legendary dance-festivals dancevalley, mysteryland and extrema. somewhere along the road, benny met the rookie nick van de wall aka kapuchon (aka afrojack for his more mainstream appealing productions). they decided to combine their passion of music, resulting in coproductions for white noise records, spinclub records and others. this is benny rodrigues first release for the israeli imprint, be as one. his releases have begun to find allegiances with artists such as steve bug, radioslave and be as one’s own shlomi aber. being regularly charted and played by the best, benny is stepping into the global arena.

new release on this killer and much deserving label. deeeeeep mind twisting electro rock, great sound production applyed to rock energy. works wonders on rumour control!

incl gurtz remix !! after a brazilian and a german one, der hut 03 is hautecousine parisienne. franck valat + laurent flaoh = 2buddies. a stunning side effect of this catchy formula is >switch on<, a sneaky low profile tunewhich builds up surprising density until an eruptive floor smashing main part. flipsided is an argentinian rework by cutting edge artist gurtz from buenos aires. settle back and switch on!

quality mid tempo disco/funk edits!!

after a break for almost a year hztrax is finally back!! petter b delivered the goods and its ready to hit the streets proper! incredibly funky with a discogroove and massive techno beats. thats the new improved formula from petter and its extremely effective on the dancefloor! watch for a string of killers from this man on labels like sway, adult and much more to come...

adults sublabel relatives is at its sixth release and going on with their successful formula: 4 funkin hardgroove techno tracks by some of the finest producers from various outskirts of the world! this time aitor ronda (spain) and josh love (france) team up, fer br (spain) does a remix for carl falk (sweden), elton d (brasil) drops a new track, and miche and mirzinho (croatia) give us some more tribal madness. essential stuff

mathematics latest features the work of obscure, underground techno wunderkind takeshi kouzuki. the >japanese rhythms ep< features 3 tracks in total, all originals and all adhering to the classic mathematics formula, quality and underground techno for the warehouse-dweller us all

sounding like dj gregorys marching band heading through the back alleys of brazils favelas, >township funk< is the master work of one south african, mujava - real name elvis maswanganyi, a twenty something hailing from a pretorian township called attredgeville. dj mujavas formula on >township funk< is simple. its tough, dark, african dance music from the industrial city of pretoria. its perhaps the most infectious dance record youll hear this year, echoing the early warp sound of lfo or the forgemasters in an uncanny way, almost 20 years on, across continents. early props have come from erol alkan, hot chips joe goddard, sinden, diplo, modeselektor and trevor jackson

yore returns with a true dream team split ep, pairing yore label head andy vaz with sistrum manager patrice scott. vaz is up first with a beautiful slice of old-school funk and soul within a deep house formula, >back to square one< that has a whole lot more in common with isaac hayes and james brown than with juan atkins or any other techno icon. accompanied by a wah-wah guitar figure and claps, a bullet-proof bass line leads a nine-minute charge thats quickly bolstered by a slinkily swinging drum groove. creamy synth chords and blazing horns intermittently spill over the pulsating mix and then vanish, leaving space for the rhythm to intensify and the track to grow ever more euphoric (and even, towards its close, a bit acidy). a true mission into both funk and house, which again showcases vazs ultimate diversity as an outstanding producer. scott titled his second sistrum release beyond deep and the title might just as easily apply to the b-side >aztecal< where the detroit producer slathers shimmering stabs and congealing streams over a thudding kick drum and flickering percussive detail. while vazs cut draws inspiration from the timeless traditions of decades past, scotts looks towards the future when its gleaming shuttle lifts off in pursuit of distant galaxies.

mri first came to prominence in 2000 with the release of the ground breaking rhythmogenesis on forcetracks and his acclaimed mille plateaux productions. due to the massive reaction drawn from the contribution on the latest 12, take kare not acid, mri returns back to the resopal imprint with two new tracks to redesign the past and further the future. title track bateau is a banging builder that is reminiscent of the current house flavored tracks but resonates the touch of classiness and depth of mid 90s reduced techno arrangements. decayed bassdrum, pad, chords and a break - distinctly marked with modern hyper percussive tendencies, based in between house and techno soundscapes this a-side is a pure bomb. the flipside ivre by all means reaching the dancefloors of today. cascading rhythms build subtly behind the fuelled drive of bass, and druggy vocals fully defined by mris signature formula. all in all, bateau ivre tunes up in fresh formula towards techy driven reduced microhouse, bring through a soothing and completely refreshing 12that will be sure to please old and new fans alike. ltd. stock

amazing atmospheric minimal !! this new 12 is a guy names hugh like who drops a great alienating track called >content. nice confident sounding track that is somewhere between minimal and house. nice classy build up and use of a violin makes this a track that really stands out and breaks with the standard techno formula without being akward. very dark and futuristic... would function very well as a sound track for a science fiction movie!.the other two tracks are in the same line and make this an outstanding forward thinking release! after being around on wite label for some time we received great reaction from guys like luciano, garnier, ivan smagghe, craig richards, michel de hey, mark august and others

for the second exclusive >eyelights< two-track sampler ep, we bring releases from two of freak n chics finest new talents – shonky and dyed soundorom. the a-side to fnc030 comes from shonky with >bushes<. >bushes< is shonkys softer side, unraveling warm and dreamy loops and beats it is filled with luminous synths and samples. >he did something more housey, something looking more towards what i play. a new side of shonky that we dont know yet, but its really good. and you can recognise shonky is still keeping his style in there of course.< dan ghenacia shonky studied mathematics before finding his passion in the formula of techno music. his recent debut artist album >time zero< for freak n chic propelled him to the forefront of a fresh generation of producers. with past releases on crosstown rebels, mobilee, substatic, resopal and of course freak n chic he plays a main role in the new current of french talent.

big 6 tracker double pack from the art recordings gang featuring: h.o.d, orien, formula, youngstar common sense with los one and kush republiq

together for one cause: spreading love of house music in yours ears. the patsada soldiers take by storm the floor by salvo of love and irresistible groove. no surrenders! face a1 monoman - motion: chunky beats lasciviously carried by an obsessing melody. face a2 dav - monterey jack: this montréal native smash monterey with his jacking sax. face b soul circus - you re my friend: these belgian guys knows the formula: vocal + beats + emotion = dancefloor killer

two of italys finest young producers serve up a new dose of minimal class. andrea roma & alberto fracasso reform under their own names after the success of their guise >delv & debox<, this time bringing fresh influences of chillout and hints of techno to a proven formula. first track >duracell< has a warm minimal groove with all the beeps and bass notes to keep dance floors rolling. up next is aptly named, >energizer<. this track throws in dirty and gritty influences, and is the perfrect compliment to the minimal offering on side a. the icing on the cake comes in the form of >volta<, a twisted yet melodic thumping track.

poussez is the electronic bastard child of london based producer, dj duo jafar and maxime cescau. established artists and record label directors in their own right?.. jafar of course popping up on a few of our previous releases. poussez brings the pair blasting through to house musics cutting edge in the 21st century. the pair are continuing to change the deep house formula in the zeroes marrying a more melodic sensibility with the abrasiveness of electro, darkness of minimal and dancefloor punch of techno. natural conditions is deeper than the proverbial abyss, >natural conditions< rocks a skankin square-bass around the sort of synths freeranges >square one< has become renowned for. 4am crowd grabbing deepness!on the flip, from its opening synths, deliciously washing over you like an incoming electronic tidal wave, >tell me how you do< grabs the listeners attention. it has that timeless mid 90s deep house feel without being outmoded and, for those paying attention, will be noted as poussezs trademark opening track on their live sets

here we have one of the most anticipated ad ltd release. its a two track ep displaying these two friends solo production skills. on one side we have xpansul throwing down >formula humo< massive dance floor filler with one of those twisted melodic hooks that he has come to be famous for. on the flip, label boss alexi delano presents us with >operations< a deeper but equally as high of a quality track that has been circulating amongst the techno elite for over a year

jacek sienkiewicz presents another unbelievably complex experiments in beat programming and string arrangement. this time, polands top techno producer known for his storming live sets goes over the edge, stretching minimal techno formula far beyond its limits and comes up with two epic tracks of enormous proportions. >the one< starts immediately with a stainless steel kick, but what seems to be a digital techno groove soon develops into a cosmic fairytale, with layers after layers of strings, bells and unidentified, but strangely organic sounds, executed with breathtaking complexity and almost obsessive attention to every tiny detail. sounds and emotions embraced within its almost 10 minutes are enough to fill a couple of albums.